Rabu, 29 Oktober 2014

[K359.Ebook] Download Ebook The Eye of the World (The Wheel of Time, Book 1), by Robert Jordan

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The Eye of the World (The Wheel of Time, Book 1), by Robert Jordan

The Wheel of Time turns and Ages come and go, leaving memories that become legend. Legend fades to myth, and even myth is long forgotten when the Age that gave it birth returns again. In the Third Age, an Age of Prophecy, the World and Time themselves hang in the balance. What was, what will be, and what is, may yet fall under the Shadow.

  • Sales Rank: #15022 in Books
  • Color: Blue
  • Brand: Wheel of Time Novels & Books
  • Published on: 1990-11-15
  • Released on: 1990-11-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.80" h x 1.37" w x 4.24" l, 1.05 pounds
  • Binding: Mass Market Paperback
  • 832 pages
Features
  • Great product!

From Library Journal
The peaceful villagers of Emond's Field pay little heed to rumors of war in the western lands until a savage attack by troll-like minions of the Dark One forces three young men to confront a destiny which has its origins in the time known as The Breaking of the World. This richly detailed fantasy presents a fully realized, complex adventure which will appeal to fans of classic quests. Recommended.
Copyright 1990 Reed Business Information, Inc.

Review

“Jordan has come to dominate the world that Tolkien began to reveal.” ―The New York Times

“Jordan is able to take ... familiar elements and make them his own, in a powerful novel of wide and complex scope. Open religious and political conflicts add a gritty realism, while the cities and courts provide plenty of drama and splendor. Women have a stronger role than in Tolkien.... Each character in this large cast remains distinct.... Their adventures are varied, and exciting.... The Eye of the World stands alone as a fantasy epic.” ―Locus

“Robert Jordan has created a fantasy world as tangible and credible as history. He has a fine eye for detail and a vivid sense of drama.” ―Morgan Llewelyn

“Robert Jordan's The Eye of the World proves that there's still plenty of life in the ancient tradition of epic fantasy. Jordan has a powerful vision of good and evil-- but what strikes me as most pleasurable about The Eye of the World is all the fascinating people moving through a rich and interesting world.” ―Orson Scott Card

“Jordan's world is rich in detail and his plot is rich in incident. Impressive work, and highly recommended.” ―ALA Booklist

From the Back Cover

The Wheel of Time turns and Ages come and go, leaving memories that become legend. Legend fades to myth, and even myth is long forgotten when the Age that gave it birth returns again. In the Third Age, an Age of Prophecy, the World and Time themselves hang in the balance. What was, what will be, and what is, may yet fall under the Shadow.

"Jordan is able to take ... familiar elements and make them his own, in a powerful novel of wide and complex scope. Open religious and political conflicts add a gritty realism, while the cities and courts provide plenty of drama and splendor. Women have a stronger role than in Tolkien.... Each character in this large cast remains distinct.... Their adventures are varied, and exciting.... The Eye of the World stands alone as a fantasy epic."--Locus

"Robert Jordan has created a fantasy world as tangible and credible as history. He has a fine eye for detail and a vivid sense of drama."--Morgan Llewelyn

"Robert Jordan's The Eye of the World proves that there's still plenty of life in the ancient tradition of epic fantasy. Jordan has a powerful vision of good and evil-- but what strikes me as most pleasurable about The Eye of the World is all the fascinating people moving through a rich and interesting world."--Orson Scott Card

"Jordan's world is rich in detail and his plot is rich in incident. Impressive work, and highly recommended."--ALA Booklist

Most helpful customer reviews

444 of 468 people found the following review helpful.
How to Read the "Wheel of Time" series
By Perschon
In 1990, I picked up a book by a writer named Robert Jordan, who was mainly known among fans of fantasy for the Conan novels he penned, which were among my favorites at the time. I bought it without a moment's hesitation and loved it. The Eye of the World followed the classic formula high fantasy had been treading since Tolkien wrote of hobbits leaving the Shire with Nazgul in pursuit.
Getting to the end of the book and realizing it was the first in the series was icing on the cake of a thrilling, fast paced fantasy read. I couldn't wait for what I assumed would be the conclusion, the third book in the series. After all, nearly all high fantasy before the 90's were trilogies.
Alas, Book 3 did not wrap up the story, and in a pre-Internet world, I had no way of knowing that Jordan intended for 12 books. By the time book 6 came out, I was tired of waiting for closure.
So I got stuck at book seven for several years. Last year, I began listening to Book 7, sure that I'd be using it to augment my actual reading of the book. I'm not sure I've picked up a Jordan novel since. But I am about to begin Book 11. And I'm looking forward to the posthumous collaboration of Jordan with Brandon Sanderson. So, to all those who have given up on Jordan, and wished they hadn't, or to those who are thinking about starting but have heard too many negative reviews, here's how I recommend reading Robert Jordan's "Wheel of Time" series.
1. Understand that Jordan loves detail. He describes clothing in so much detail, that if "Wheel of Time" ever gets optioned for film or television, the costume designers will be able to go for a lot of coffee breaks. He is fond of giving elaborately detailed descriptions of every character, even minor ones.
2. The repetition of previously established plot elements in subsequent books is for people traveling on planes who pick up book 5 in the airport. It allows them to enter the world enough to get through the read. It's a device publishing companies use with bestselling series like this to ensure that the series remain a bestseller. While I have never started any series mid-way through, some people apparently do, and these passages are for them.
3. Jordan likes to weave intricate plots with a cast of characters so large it necessitates a glossary at the end of each book. Many of the books are entirely character based, and so seem to have "no action" taking place. This is because many readers want someone to storm a tower, engage in a climactic battle, or throw a ring into a fiery pit. Jordan is too busy marrying characters or introducing a new plot thread to bother with such things. And while he may not talk about a character for one book, he almost always returns to them.
4. I started thinking about "Wheel of Time" as a television series. It's long enough to sustain several seasons, and the cast is basically the OC meets LOTR. We watch TV one episode at a time. I began to view the chapters in each book as "episodes" of "Wheel of Time" as a television series, and each book as a "season." I don't like every episode of "Buffy the Vampire Slayer" and there are some seasons I like better than others. Some of my favorite episodes are in my least favorite seasons. But I love the characters, and I want to see what happens to them. I love the characters in Wheel of Time. I want to see what happens to them. So I keep "tuning in."
5. I got over the reasons I quit. Simply put, they were my reasons. I had expectations of Jordan he never intended to fulfill. I expected him to wrap it up in a trilogy. He didn't. I expected him to snap Rand out of his sullen funk. He didn't. I expected him to stop telling me about the embroidery on coats or dresses. He didn't. I expected him to bring a certain major character back from the dead. He didn't. And finally, I expected him to finish before he passed away. And he didn't.
It was that last one that really galvanized me. When I heard he had terminal cancer (many years after it was a reality), it got me thinking about the legacy the man would leave on this earth. An epic bestselling fantasy series. And I realized that, to quote Elvis and Sinatra, he'd done it his way. I might not like some of the choices Jordan made, but I love the world he created and the people walking through it. And I want to know how they fare in the end.
So that's my journey to Book 11 of "Wheel of Time" and I share it because I want new readers to know what to expect, but also to let go of those expectations, and know that the journey is worth taking. Especially if you want to be there when the final novel is released next year.
Me? I'll be starting book 1 again this fall and listening to all the previous "Seasons" of "Wheel of Time," one per month, in anticipation of the final installment. The Wheel of Time turns...and I'll be "turning pages" with it.

449 of 487 people found the following review helpful.
A Tremendous Start, But Beware
By newyork2dallas
The Wheel of Time is probably the best-known and most widely read fantasy series other than The Lord of the Rings.
When this book was published in 1988 or 1989, it created a sensation -- a tremendous first volume that had the usual good-evil battle and tons of action but also was filled with magic, history, politics, sociology, cultural background and realistic characters. When I re-read the first five books, I was amazed at the details of history and politics that Jordan provided in his world. Jordan also has numerous protagonists, not just one or two primary ones like many other fantasy writers.
Moreover, Eye of the World features strong men and, through their magical abilities and powerful personalities, stronger women. Jordan has been rightly lauded for the prominent and powerful roles he created for the female characters.
The Great Hunt, The Dragon Reborn, The Shadow Rising and The Fires of Heaven followed and created a tremendous series such that The New York Times noted that Jordan had come to dominate the genre that Tolkien made famous.
In Eye of the World, the writing is smooth, the various characters and their motivations work well, and there's action aplenty. The sense of innocence and mystery that correspond to the heroes' relative lack of knowledge of their surroundings and the world at large is palpable and realistic.
Unfortunately, starting with Lord of Chaos (book 6), Jordan's creation became unwieldy. Instead of concentrating on following the themes and story-threads of books 1-5 (which combined are more than 3500 pages, hardcover), he created new storylines, bogged down the narrative and halted the pace of the epic. Book 8 in particular is an unmitigated disaster -- 650 pages (hardcover) of wheel-spinning (pardon the pun) with almost no progress to the story. Book 9 began to jump-start the narrative once again.
The series is at 10 books (the tenth will be published in about two months from now) and growing (13 total possible -- it's a common numerical theme in the books), thus the last volume will be published in 2006, at the earliest.
The Eye of the World is great, as are the next four in the series. They are, however, addictive, so know what you're getting into.

151 of 167 people found the following review helpful.
An original, fantasy epic
By Beowulf
This book was recommended to me by the manager of a brick and mortar store nearby. I have read a great deal of science fiction/fantasy, and after a while, it all starts to feel the same. You know what I mean: how many times can we revisit Tolkein-esque charcaters like elves, dwarves, and orcs? I was very pleased to discover an entirely new world.
Robert Jordan has created a landscape of magnificent proportions. Accents, legends, superstitions, politics...His amazing attention to detail allowed me to become fully immersed in the story. Even more surprising is that the quality of his writing is maintained throughout the book's length of 782 pages. I couldn't put this novel down, with the result that I finished it well inside of a week.
This is the first book of a series, and the reviews for some of the later books aren't as glowing. However, I feel that this book is a great read, and can stand on its own. It is not uncommon for series to degrade over time -- take a look at "Wishsong of Shannara"by Terry Brooks, "The One Tree" by Stephen R. Donaldson, or "The Sorceress of Darshiva" by David Eddings. All three of these books fail to live up to the quality of others in their respective series, but that doesn't mean you should avoid the series altogether.
"Eye of the World" provides us with an epic that is also refreshingly new. Robert Jordan presents us with a world that is the most richly colorful since Tolkein. If you're a fan of fantasy, then don't miss reading this book.

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Selasa, 28 Oktober 2014

[M254.Ebook] Download PDF State & Local Taxation Volume II, by Richard Pomp

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State & Local Taxation Volume II, by Richard Pomp

State taxation casebook

  • Sales Rank: #1002001 in eBooks
  • Published on: 2015-08-24
  • Released on: 2015-08-24
  • Format: Kindle eBook

Most helpful customer reviews

2 of 2 people found the following review helpful.
Excellent taxation insight
By emitjr
I had an issue with a copy of the text before but the seller was extremely accommodating. It's a great text for following court decisions on cases regarding state taxes and gives great insight to the way states form and regulate their tax systems and why.

1 of 1 people found the following review helpful.
A very useful reference source and set of teaching materials not only ...
By Bruce P. Ely
A very useful reference source and set of teaching materials not only for graduate tax and law students but young associates in our law firm.

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Minggu, 26 Oktober 2014

[F611.Ebook] Free PDF Day Boy, by Trent Jamieson

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Day Boy, by Trent Jamieson

Winner of the 2015 Aurealis Awards for Best Horror Novel and Best Fantasy Novel. 

Mark is a Day Boy.

In a post-traumatic future the Masters—formerly human, now practically immortal—rule a world that bends to their will and a human population upon which they feed. Invincible by night, all but helpless by day, each relies on his Day Boy to serve and protect him.

Mark has been lucky in his Master: Dain has treated him well. But as he grows to manhood and his time as a Day Boy draws to a close, there are choices to be made.

Will Mark undergo the Change and become, himself, a Master—or throw in his lot with his fellow humans? As the tensions in his conflicted world reach crisis point, Mark's decision may be crucial.

In Day Boy Trent Jamieson reimagines the elements of the vampire myth in a wholly original way. This is a beautifully written and surprisingly tender novel about fathers and sons, and what it may mean to become a man.

Or to remain one.

Trent Jamieson is a teacher, bookseller and writer of science fiction and fantasy, including the Death Works series. He has twice won Aurealis Awards for his short stories. He lives in Brisbane.

‘Jamieson gives the reader beautiful prose and a very original plot, making for an excellent read.’ BookMooch

‘This a book about boys and men, their rivalries and cruelties, and the love of fathers and sons…It is a joy.’ Vampires in the Sunburnt Country

‘At the fingertips of a gifted writer there will always be new and interesting takes on the vampire tale and happily, Day Boy is one of them.’ Melbourne Review of Books

‘This book dances to the beat of its own drum. It comes waltzing into your life and leaves footprints on your heart…A one of a kind story you’d be foolish to miss.’ Marianne de Pierres’ Escape Club

‘In Day Boy, Jamieson has kept all of the central facets of vampire mythology while fashioning something new and often riveting. Poetic and meditative—at times frightening, visceral and bloody—this is a dark journey worth making.’ Aurealis

‘A beautifully written and surprisingly tender novel about fathers and sons, and what it may mean to become a man.’ Good Reading

‘This escapist read is hard to put down.’ North & South

  • Sales Rank: #962182 in eBooks
  • Published on: 2015-06-24
  • Released on: 2015-06-24
  • Format: Kindle eBook

Most helpful customer reviews

1 of 1 people found the following review helpful.
Fresh take
By Mr Gary Kemble
This is a beautiful, beautiful book. I’m generally not a fan of urbane vampires, instead preferring killing machines a la 30 Days of Night or Guillermo del Toro and Chuck Hogan’s The Strain Trilogy. But Jamieson does a brilliant job of capturing a world where the vampires are only urbane because they dominate a pretty much entirely subjugated population. And this book is as much a heart-rending coming-of-age story as it is a tale of the post-apocalypse. Day Boy Mark’s tribulations will ring bells for anyone who has struggled to find their place in the world.

0 of 0 people found the following review helpful.
an excellent read
By Cloggie Downunder
“It’s bitter cold and a sky so clear that the stars burn. Breath streams from us, and no matter that we’re dressed warm, it’s still a shock, like jumping into water that’s colder than you expected. The moon’s a sliver in the sky, but everything is so clear. Land looms around us blue and hulking, drawing in and receding, and you suddenly get a sense of how big everything is and how little you are, but it’s still wonderful, because small and brief you’re still here and breathing plumes in the dark: defiant and proud. And there is no one more defiant than us.”

Day Boy is the first stand-alone novel by teacher, bookseller and prize-winning Australian author of science fiction and fantasy, Trent Jamieson. Mark is a Day Boy. He has been in the service (and under the patronage) of his Master, Dain, since he was small. From the accounts of the other Day Boys in the town, Mark knows he is fortunate to be with Dain. His Master is fair, looks out for his welfare and teaches him well. In return, Mark looks after his Master’s needs, watches over Dain when he is most vulnerable and tries (often unsuccessfully) to win his Master’s esteem.

His time as a Day Boy is coming to an end, and, while his predecessor, Dav, has followed the path to himself becoming a Master, Mark is fairly certain his own transgressions will preclude this destiny. But he has been offered a position locally, and is not dissatisfied to stay in Midfield, this town to the east of the City in the Shadow of the Mountains, especially if the lovely Anne stays. However, the tenuous peace between the Masters and the townsfolk is under threat, the Hunters outside the town are an ever-present danger, and Mark’s first trip to the City almost ends in disaster.

Jamieson has set his story in a (possibly post-apocalyptic) future Australia where Masters exist in a symbiotic relationship with the human population, protecting them from Monsters in exchange for blood feeds and the service of a Day Boy. Jamieson builds his world gradually and leaves parts of it (perhaps purposefully) vague: there is plenty of scope for a sequel. His characters are believable and their dialogue is a cross between contemporary Australian and eighteenth century English. He gives some of his characters words of wisdom: “Truths said or not are still true”.

Mark develops and matures over the course of the story, and his narrative voice is both superbly descriptive and succinct: “Rob spits at the constable’s feet and turns nice and slow, and I can see that Mick is battling with the urge to hit him. Hard. But sense prevails, I guess, or fear, which is just another sort of sense. I can almost respect that. Strike an auditor and you might as well strike Death herself”. Jamieson gives the reader beautiful prose and a very original plot, making for an excellent read.
4.5 stars

0 of 0 people found the following review helpful.
But Jamieson has created something truly brilliant here. The writing is beautiful and powerful
By Alan Baxter
I've been a fan of Trent Jamieson for a long time, but even then I was dubious about this book. A vampire story. I'm so over vampire stories. But Jamieson has created something truly brilliant here. The writing is beautiful and powerful, an assurance of voice that's rare and hard to maintain, but he nails it. The mythology of the new world, post-some kind of apocalypse that's never fully explained, is rich and compelling. I have one question that still snags - why are there no female masters? Maybe I'll have to ask Trent one day. But it's not a question that in any way detracts from the book. I loved this and consumed in no time at all. Highly recommended!

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Jumat, 24 Oktober 2014

[O117.Ebook] Fee Download Narrative Therapy: The Social Construction of Preferred Realities, by Gene Combs, Jill Freedman

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Narrative Therapy: The Social Construction of Preferred Realities, by Gene Combs, Jill Freedman

Narrative Therapy: The Social Construction of Preferred Realities, by Gene Combs, Jill Freedman



Narrative Therapy: The Social Construction of Preferred Realities, by Gene Combs, Jill Freedman

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Narrative Therapy: The Social Construction of Preferred Realities, by Gene Combs, Jill Freedman

For psychotherapy students, teachers, and practitioners, this book describes the clinical application of the growing body of ideas and practices that has come to be known as narrative therapy. Clear and compelling demonstrations of narrative therapy practice, rich in case examples and creative strategies, are at the heart of this book.

  • Sales Rank: #107733 in Books
  • Published on: 1996-03-17
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.60" h x 1.40" w x 6.50" l, 1.53 pounds
  • Binding: Hardcover
  • 336 pages

From the Back Cover
This book describes the clinical application of the growing body of ideas and practices that has come to be known as narrative therapy. The primary focus is on the ways of working that have arisen among therapists who, inspired by the pioneering efforts of Michael White and David Epston, have organized their thinking around two metaphors: narrative and social construction. The authors are as concerned with attitude as with technique. Believing that a solid grounding in the worldview from which narrative practices spring is essential, they begin with an overview of the historical, philosophical, and ideological aspects of the narrative/social constructionist perspective. This involves also telling the story of their own development as particular therapists in a particular part of the world during a particular historical period. The heart of the book is devoted to specific clinical practices: locating problems in their sociocultural context, opening space for alternative stories, developing stories, questioning, reflecting, thickening plots, and spreading the news. Each practice is described, located in relation to the ideas and attitudes that support it, and illustrated with clinical examples. In addition to conversations with people illustrating particular practices, three transcripts are included to show the subtle use of questions to develop alternative, preferred realities. Drawing upon the thinking of White and Epston, Karl Tomm, and others, the final chapter looks at the ethics of relationship that guide narrative therapists in the use of specific practices.

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51 of 56 people found the following review helpful.
Comprehensive, accessible introduction to narrative therapy
By A Customer
Although everyone is entitled to their own opinion, I thought it pertinent in this circumstance to offer mine. Ruplins of Portland states that "Freedman and Combs do not grasp the constructivist approach used by White and Epston." I was really taken aback by such an assertion, because my reading of the book couldn't be more at odds. I welcomed the book when it was published and was delighted that it provided under one cover a comprehensive and accessible introduction to narrative therapy without compromising the relevance of its politics and poetics. In addition, the authors' chapter on questions extends narrative work in ways I have read and re-read very carefully. I strongly recommend everyone who I am involved with in training/consultation and those seeking merely an introduction to narrative therapy to read it. If I were considering a degree program of any sort, I would expect this book to be required reading. I agree with Michael White when he described the book as "quite a feat!"

20 of 27 people found the following review helpful.
The authors helped re-author my understanding...
By bchammy@uniserve.com
I went to a University whereby post-modernism was not par nor parcel of our curriculum. It was when I got out of school that I began to see the potential and methodology of Narrative Therapy. After buying White and Epston's material and seeking out therapists, I was advised to buy this book. An excellent practical application of an excellent theory. Kudos to the authors. I find this book particularly helpful for working with troubled adolescents and college age clients. Looking forward to further practical publications!

6 of 10 people found the following review helpful.
Interesting but theoretically disappointing.
By A Customer
Though this is a useful guide to Narrative technique, the authors do not grasp the constructionist approach used by White and Epston. They are too keen on deconstructing one reality (mainstream American) to see that they simply replace it with another, equally culture bound view (that of academic feminism). However, the techniques are presented skillfully. A useful manual for therapists.

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USMLE Road Map Neuroscience, Second Edition (LANGE USMLE Road Maps), by James White

USMLE Road Map: Neuroscience presents a concise and focused examination of the essential concepts for students in Medical Neuroscience. The outline is enhanced with an extensive and original illustration program that visually conveys the essential information and promotes retention of the material. Features such as clinical correlations and clinical problems are also included. The book helps you be better prepared for the USMLE exam and aids you in programs where there is no traditional neuroscience course.

  • Sales Rank: #280795 in Books
  • Published on: 2008-04-11
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.20" h x .60" w x 7.60" l, .84 pounds
  • Binding: Paperback
  • 256 pages

About the Author

James S. White, PhD teaches Gross Anatomy and Neuroscience at the University of Pennsylvania. He also teaches both subjects at Kaplan's live board review lectures.

Most helpful customer reviews

10 of 10 people found the following review helpful.
Why didn't I get this earlier?
By M. Cristobal
I had to struggle with neuroanatomy in my first year. To make things worse, some of the lecturers weren't exactly stellar. If I'd had this book earlier, I could have done way better in my tests. The organization of the book is logical, and the content is rich in that the important facts (i.e., those that are often asked in tests!) are summarized in an easy-to-read format. I've purchased all the USMLE Road Map books that have been released to date, and I have to say that this one stands out.

10 of 11 people found the following review helpful.
Finally got Neuro
By dp
I wish I had this book during Neuro in school- after reading it, I understand the awful tracts and lesions for the first time along with the basal ganglia and cerebellum. The visual defects section is amazing. I found out about this book after hearing Dr. White teach for Kaplan. A must buy to get through Step 1 Neuro questions.

6 of 7 people found the following review helpful.
Great Step 1 Neuro Review
By fozidog
Neuro was not my best subject in first year. This is a great review and helped me understand a few key concepts that I didn't learn during first year. If you spend half a day skimming through this book reading the blue boxes and LOOKING AT THE DRAWINGS you will be well prepared for the questions on the exam.

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Maritime Fraud and Piracy (Maritime and Transport Law Library), by Paul Todd

The main focus of this book is the impact of maritime fraud on contracts for sale and carriage, documentary credits and marine insurance. It covers all varieties of maritime fraud, from the most serious downwards, describing the methods employed and the risks to traders and carriers. At the serious end of the spectrum, pirates capture an entire ship, often murdering the entire crew, in order to sell the cargo (to which of course they have no title), later to use the “innocent” ship to pose as innocent traders. Less serious (but perhaps of greater interest to lawyers) are misdescriptions of cargo in, or backdating of, bills of lading, and other deceptions, usually practised on purchasers and banks.

  • Sales Rank: #7248808 in Books
  • Published on: 2010-11-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.00" h x 1.02" w x 7.00" l, 1.62 pounds
  • Binding: Hardcover
  • 368 pages

Most helpful customer reviews

0 of 0 people found the following review helpful.
Sadly...
By Phillip Taylor MBE
SADLY, THIS IS VERY MUCH A BOOK FOR OUR TIMES!

An appreciation by Phillip Taylor MBE and Elizabeth Taylor of Richmond Green Chambers

The purpose of this Informs title is clear from the outset- it is a focus on how maritime fraud directly impinges on contracts for international sale and carriage, documentary credits and marine insurance and is directly relevant to all involved in international trade… and international crime.

It’s a timely publication in the second edition because piracy, in particular, is never far from the headlines and has changed emphasis as a form of international outrage over recent years. There have been increased random attacks and kidnaps which have given rise to new forms of legal consequence moulded differently from the ‘more traditional’ violent thefts of cargoes and ships at sea.

The book has seven chapters and the first begins with ‘piracy today’ as the new chapter to highlight the growing international crime problem. Paul Todd then delves into issues particular to maritime fraud and covers 5 topics: the sale contract; the banks; the carriers; marine insurance; and technology.

Do read the Preface carefully because the author sets out the trail of events since 2003 when the first edition appeared. It’s the Preface which conveys the horror that is piracy today and the essence of the problem which is maritime crime.

Thankfully, Todd says he has made no attempt to be politically correct here but, as an academic, he does need to tell us about the use of the male and female tags (and does it rather well!) and we even have reference to Anne Bonney. Of course, the banks remain as ‘it’: news which, we are assured, the hard pressed taxpayer will be delighted to hear.

The seven Appendices are extremely important and useful to this work. They cover, respectively: piracy in international law; charterparty piracy clauses; criminal law provisions; the Marine Insurance Act 1906 (of course); hull and cargo clauses; Bills of Lading provisions; and legislation on Digital Signatures and Certification Authorities Electronic Signatures Regulations 2002 (a must for the new IT Age). There is a good, detailed index at the back which is easy to use.

Paul Todd draws a number of conclusions for some of the chapters but what is so refreshing are his ‘real grounds for optimism’ that the fight back against piracy and the intractable problem of ransom hijackings ‘might be successful’ although it is clear that the international community is barely reviewing the surface of this problem which is as much about crime as trade and the lackluster approach for future international agreements.

Of course, the same can be said with both bribery and corruption, policing the internet and so on.

One thing is clear- Todd has, sad to report for its reality, produced an excellent new edition of a book which is very much part of our times. He gives us a detailed commentary on how maritime fraud has been consumed by this form of terrorism which has reverted back to what we call piracy and continues to affect so much within the law of marine insurance today.

Informa have excelled here with this title as modern publishing pathfinders to combat this menace from the deep with an important legal statement of the current law.

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